|
映画名
|
配給先
|
年
|
| THE MUSIC
BOX |
White Lion Prods. |
1980 |
| THIEF |
United Artists |
1980 |
| THE PERFECT
CIRCLE |
Columbia Pictures |
1980 |
| ON THE
RIGHT TRACK |
Columbia Pictures |
1980 |
| FOUR FRIENDS
|
Filmways, Brighton Prods. |
1980 |
| ESCAPE
FROM NEW YORK CITY |
Avco, Embassy |
1980 |
| ENDLESS
LOVE |
Polygram Pictures |
1980 |
| THE PSYCHOTRONIC
MAN |
International Harmony
Films |
1980 |
| PENNIES
FROM HEAVEN |
MGM Studios |
1981 |
| THEY CALL
ME BRUCE |
Goldpine Prods. |
1981 |
| THINGS
ARE TOUGH ALL OVER |
Cheech & Chong for
Columbia |
1982 |
| BAD BOYS
|
EMI Prods., Robert Solo |
1982 |
| RISKY BUSINESS
|
Tisch/Avnet Prods., Geffen
Film Prods. |
1982 |
| DR. DETROIT
|
Universal Studios |
1982 |
| I WAS A
MAIL ORDER BRIDE |
Michael Jaffee Prods. |
1982 |
| NATIONAL
LAMPOON'S VACATION |
Warner Bros. Studios |
1982 |
| THE APPRENTICE
|
Whitefire Films |
1982 |
| CLASS |
Orion Pictures |
1982 |
| WINDY CITY
|
CBS Theatrical Films |
1982 |
| RISKY BUSINESS
|
|
1983 |
| STREETS
OF FIRE |
Universal Studios |
1983 |
| HAMBONE
AND HILLY |
Sandy Howard Prods. |
1983 |
| 16 CANDLES
|
Universal Studios |
1983 |
| THE BIG
SCORE |
Po'Boy Productions |
1983 |
| COME AROUND
|
Far Point Films |
1983 |
| GRANDVIEW
U.S.A. |
CBS Theatrical Films |
1983 |
| RIVER RATS
|
Sundance Institute |
1983 |
| HEARTBREAKER
|
Koch/Marshall Prods. |
1983 |
| THE ULTIMATE
SOLUTION OF GRACE QUIGLEY |
Cannon Film Group |
1983 |
| THE BREAKFAST
CLUB |
Universal Studios |
1984 |
| TOUCH AND
GO |
Kings Road Prods. |
1984 |
| CODE OF
SILENCE |
Orion Pictures |
1984 |
| WEIRD SCIENCE
|
Universal Studios |
1984 |
| DEATH IN
CALIFORNIA |
Lorimar Studios |
1985 |
| CLUB PARADISE
|
Warner Brothers |
1985 |
| JUST ANOTHER
SATURDAY NIGHT |
Columbia Pictures |
1985 |
| JO JO DANCER
|
Columbia Pictures |
1985 |
| LUCAS |
20th Century Fox |
1985 |
| WILDCATS
|
Warner Brothers |
1985 |
| ZONING
|
Scala Filmproduktion-Germany |
1985 |
| NOTHING
IN COMMON |
Tri-Star Films |
1985 |
| FERRIS
BUELLER'S DAY OFF |
Paramount Pictures |
1985 |
| ABOUT LAST
NIGHT |
Tri-Star Films |
1985 |
| MANHUNTER
|
International Film Corp. |
1985 |
| RAW DEAL
|
International Film Corp. |
1985 |
| RUNNING
SCARED |
MGM/UA |
1985 |
| NO MERCY
|
Tri-Star Pictures |
1986 |
| LET'S GET
HARRY |
Tri-Star Pictures |
1986 |
| THE COLOR
OF MONEY |
Walt Disney Studios |
1986 |
| LIGHT OF
DAY |
Taft/Barish Entertainment |
1986 |
| NATIVE
SON |
Diane Silver Prods. |
1986 |
| PERSONAL
FOUL |
Personal Foul Ltd. |
1986 |
| END OF
THE LINE |
End of the Line Prods. |
1986 |
| THE UNTOUCHABLES
|
Paramount Pictures |
1986 |
| THE BIG
TOWN |
Columbia Pictures |
1986 |
| BIG SHOTS
|
Lorimar Pictures |
1986 |
| JIMMY REARDON
|
Jimmy Reardon Prods. |
1986 |
| SHE'S HAVING
A BABY |
Paramount Pictures |
1986 |
| RENT-A-COP
|
Kings Road Prods. |
1986 |
| HENRY:
PORTRAIT OF A SERIAL KILLER |
James McNaughton |
1986 |
| WEEDS |
Dino DeLaurentis Studios |
1987 |
| ADVENTURES
IN BABYSITTING |
Disney Studios |
1987 |
| VICE VERSA
|
Columbia Pictures |
1987 |
| PLANES,
TRAINS AND AUTOMOBILES |
Paramount Pictures |
1987 |
| POLTERGEIST
III |
MGM Studios |
1987 |
| ABOVE THE
LAW |
Warner Brothers |
1987 |
| SWITCHING
CHANNELS |
Columbia Pictures |
1987 |
| RED HEAT
|
Carolco, Lone Wolf Prods. |
1987 |
| BETRAYED
|
Winkler Films/UA |
1987 |
| MIDNIGHT
RUN |
Paramount Pictures |
1987 |
| THINGS
CHANGE |
Cinehaus, Inc. |
1987 |
| CHILD'S
PLAY |
United Artists |
1988 |
| THE TENDER
|
Trans World Entertainment |
1988 |
| FIELD OF
DREAMS |
Shoeless Joe Prods. |
1988 |
| TAXI KILLERS
|
Varo Films |
1988 |
| DESIRE
|
Kingsley Celluloid |
1988 |
| MEN DON'T
LEAVE |
Warner Brothers |
1988 |
| CHAINS
|
American Independent |
1988 |
| NEXT OF
KIN |
Lorimar Pictures |
1988 |
| MAJOR LEAGUE
|
Mirage Prods. |
1988 |
| WHEN HARRY
MET SALLY |
Castle Rock Prods. |
1988 |
| THE PACKAGE
|
Orion Pictures |
1989 |
| UNCLE BUCK
|
Universal Pictures |
1989 |
| MUSIC BOX
|
Carolco Films |
1989 |
| OPPORTUNITY
KNOCKS |
Imagine Films |
1989 |
| MISS MISSOURI
|
Une Prods. |
1989 |
| VICTIMLESS
CRIME |
Framed Prods. |
1989 |
| FLATLINERS
|
Columbia Pictures |
1989 |
| SHAKING
THE TREE |
Reality Films |
1989 |
| THE PERFECT
MODEL |
Daryll Roberts, Chicago
Cinema Entertainment |
1989 |